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Never Better part 5:  Blood and Bone

10/31/2015

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Picture
Little Alice Dobbs leaping off a cliff, a horde of white devils behind her.  Their hands a mess of ragged nails and painted scarred skin more animal claws than human.  The girl almost seems to float over the edge of the butte, faint traces of a smile spreading across her face as she plummets to the ground below.  Her body shattered, bleeding, she looks so peaceful Sarah envies her... because the horde of demons are howling in disappointment, turning to find Sarah standing behind them, and as they charge her legs refuse to move.

Flinching in terror, Sarah awoke from the nightmare.  She stirred.  Only a dream, she thought.  Her head ached triggering a grim realization.  Instead of her hotel bed she lay on cold, damp soil, wet leaves sticking to her face.  Nearby a fire crackled.  Around it a ring of devils sat staring into the flames tossing in bits of camera and cell phone to watch them sizzle and melt.

She rolled over slowly in order to not draw attention to herself.  She didn't want them to know she was awake.  Next to her she found Gene.  His hollow gaze aimed at the lead gray twilit sky.  

She whispered to him, "Gene, are you okay?"

He shook his head, "Never gonna be okay.  Not ever."

He held up the bloody stumps where his hands used to be.  Sarah felt her stomach twist.  Gene's head flopped to one side.  

Empty eyes staring at Sarah, "They've been waiting for you to wake up." 

She heard leaves crunching underfoot.  Her blood chilled, bones freezing down to the marrow.  Before she could blink a pair of rough hands wrenched her up off the forest floor.  Flung against a tree she almost fell over until those same hands held her up, while a white devil hurried around the tree lashing her to the trunk with a length of leather.  

The hands released her.  She struggled against the bonds.  The Bone people laughed.  It made them seem human, and that made them all the more terrifying.  They chose to be this way.  

As night closed in more and more of the Bone tribe emerged from the surrounding woods.  They lit several small fires, amalgamating some into bonfires.  Naked men, women, and children, heads shaved, all covered in some kind of white body paint.  Probably ochre mixed with something, Sarah thought.  Her mind insisted she stay logical, analyze the weird into something mundane, or else -- she could feel her thoughts going off the rails.  One of the young Bone collectors walked by, a necklace made of several small bones dangled down his front.  The bones came from somewhere fresh.  Splotches of red kept dabbing onto his white chest every time the bones jangled against him.  She recognized the metacarpals.  Hand bones – Gene's hands refashioned into ornaments.  Her mouth went dry. 

The sun went down.  The Bone people sat in silence, their eyes fixed on Sarah and Gene.

"What do you want?" Sarah shouted.  She didn't expect them to answer, but it felt better than doing nothing.

As one, the Bone tribe looked off into the woods.  Without a sound, the Shaman stepped into the light.  His body looked as if he once walked through a shower of razorblades.  Long stretches of poorly healed flesh gave his skin a texture more akin to bark than flesh.  His face seemed to have been peeled off, clipped into jigsaws, then stitched back on without all the pieces; his teeth in plain view thanks to a lopsided Chelsea grin arcing up one side and down the other.  The Shaman wore a set of bones that made it look like his skeleton resided outside his body, the ribs and clavicle held together by leather strips.  He alone possessed a mess of oily black hair, decorated with trinkets whittled out of vertebrae.  

The Shaman walked to Sarah.  His face inches from hers he said, "We do not hide, but we will not be found."

He held up a hand.  At a gesture the others descended on Gene.  They made no noise, no cries or wild howls.  They simply pulled out stone tools, and set to carving him alive.  Gene screamed as they flayed him, dug out chunks of flesh, and amputated an arm.  Sarah sobbed.  When Gene passed out from the agony the adults stepped back, and let the children crowd around him.  Some beat him with rocks, others took the blades offered by their parents and stuck him.  One boy sliced off Gene's nose, and gave it to the girl next to him.  She took it, and kissed him on the cheek.  A young  teenager used a stone ax to hack off Gene's foot.  Picking up the foot, he presented it to the Shaman who nodded approval.  The teenager used the ax blade to slice his face several times before hurrying off to sit by the fire where he squatted over Gene's foot, stripping the bones clean to make his first necklace. 

A thought occurred to Sarah.  If nothing else she needed to try, "People will come looking for us.  You don't want to be found you need to let me go."

Without looking at her the Shaman spoke, "If others come they’ll disappear too.  You're not the first, or the last."

The Shaman walked away.  He squatted over Gene.  The photographer breathed shallowly, the end fast approaching.  For the first time in his life Gene understood what it meant to welcome death.  It was a feeling he'd never wanted, yet he found it gladly.  The Shaman peered into Gene's eyes, examining them for the right moment.  Seeing a faint glimmer of peace, the Shaman dug his thumbs into Gene's sockets and plucked out the juicy orbs.  The Shaman ate one then headed off to feed the other to a sick child.

Sarah went limp, her body held up by the leather bound.  Gene's empty sockets stared at her.  Transfixed by the almost accusatory look she returned the gaze.  His mouth moved, but she couldn't hear him.  Whatever he said belonged to the night.  He tensed for a second, and seemed to sigh, his last breath visible in the chill autumn air.

The Shaman returned to Gene’s corpse.  Sarah watched as a pair of youths held the body up, and the Shaman slit open Gene’s belly.  Other members of the tribe gathered to catch glimpses.  Gene’s intestines spilled out into a wet pile at the Shaman’s feet.  He examined the steaming mess of viscera, nodding, grinning.  Satisfied he gestured.  The youths dropped the body.  As soon as the Shaman stepped away the tribe descended on the corpse, tearing it to pieces, scavenging for bones and strips of skin to tan into leather; and in all this Sarah saw her future fast approaching.  

The numbness dulling her senses, fogging her mind, subsided abruptly.  Her options reduced to two choices:  die or escape.  She chose the latter.  

The tribe distracted ravaging Gene’s body, the Shaman standing near a bonfire, lost in his own thoughts, Sarah started wriggling, testing the strength of her bonds.  The leather strand wrapped around her held fast, but she noticed her right hand could move a bit.  Tree bark chewed her flesh when she tried to get to out.  Ignoring the pain she jerked her hand free.  

With her free hand she managed to pull the strap, inch it around until her fingers felt the knot holding the whole thing together.  Her eyes on the tribe, Sarah worked at the fastening, clawing, a fingernail chipped in half.  She gritted her teeth and kept fumbling.  The knot loosened.  A child glanced at her.  She froze.  The child went back to peeling meat off a femur.  Sarah felt the knot give.  She pulled on a strand – her binds gave way.  

The moment they dropped she ran.  She bolted into the woods, and for a few brief moments she heard nothing.  No sounds of pursuit – I made it, she thought.  Then a cry echoed through the forest, animal but beneath it something vaguely human.  

The farther she got from the fires the darker the woods became.  The moon peeked through the treetops offering light too faint to see by.  Sarah collided with a tree trunk, spun, and hit the ground.  She heard leaves and branches snapping – too close.  A surge of adrenaline launched her to her feet.  She ran.  She didn’t know which way to run, but any direction away from the fires seemed like the best option.  

Deeper into the forest, every snagging branch arousing a wave of terror, tearing free to run even faster pushed on by a fresh surge of adrenaline; she determined not to get caught.  Howls ripped through the air as the Bone hunters pursued.  Sarah risked a glance back.  Swirling dots of orange light spread out all over the forest, the tribe armed with torches.  

She slowed.  Now there seemed to be a way to avoid – a weight landed on her back, dragging Sarah to her knees.  She didn’t think, she simply acted, reaching back to grab and using the momentum of her own fall to flip the attacker over.  The two rolled across the forest floor until her pursuer pressed down, pinning her to the ground.  

Sarah felt a hot punch in her shoulder followed by a flood of warm fluid.  She grasped in the dark, caught hold of the hunter’s face, clawed, felt teeth bite her, another hot punch to the shoulder; teeth gnawing on her fingers, but instead of pulling back Sarah jammed her digits into the hunter’s mouth.  Grabbing the cheek she wrenched as hard as she could.  The attacker tilted to one side giving her a chance to roll on top.  She put everything into the next pull, and tore the Bone devil’s cheek right off.  The white demon roared in pain attracting flickering orange.  Sarah ran.

Only now she didn’t feel so afraid.  They could hurt her, but she knew she could hurt them too.  Still holding the bit of cheek she felt on equal footing.  

She stopped.  Getting on one knee Sarah searched the ground quickly.  Fingers brushing a small yet hefty, solid branch, she snatched up the makeshift club and kept running.  

She stepped out into air.  Sarah tumbled down a slope, careened off a fallen tree, and fell face first into water.  She came up gasping, still holding the club tight.  

Chance is better than nothing.  Sarah recognized the shallow stream.  It ran near the Dobbs cabin.  A bit better oriented Sarah devised a plan.  She fashioned a bandage out of her shirt sleeve to wrap her shoulder.  It would have to do for now.  Then she hurried along the shore.  The stream ran through the Maigre Woods ending just shy of the highway.  The route led back towards the torches, but she took the risk.  

A few times she stopped to crouch in nearby brush.  Bone hunters ran by, scanning for even the briefest hint of her presence.  Seeing nothing they howled and plunged deeper into the forest.

At one point a lone Bone hunter crouched in the river scooping up mouthfuls of water.  Sarah crept up behind her.  The Bone devil stopped now and again to peer into the darkness, but Sarah managed to stay out of sight.  She lunged, clubbing the hunter from behind.  Sarah didn’t stop until the skull crunched.  In another time Sarah would’ve found the sound sickening.  She almost found it pleasant now.  

At long she made it to the highway.  The rain swept road darkly glistened in the moon light.  Fresh worries invaded her thoughts.  The open road left her exposed, so she stuck to the tree line.

Aiming for town she ignored the growing lightheadedness.  She resisted the fatigue creeping into her muscles, turning her from lightning to molasses.  Don’t stop became her mantra.  No other options existed.  She repeated it over and over, not just in her head, but as a breathless whisper:  don’t stop… until she saw the dilapidated building, looked like an apartment complex that’d been left to decay. 

Out front a pickup truck sat idling.  Two figures stood in the glow of the headlights smoking and drinking beers.  One looked familiar, while the other seemed to be a street teen in overalls.  

Sarah recalled a name, “Mitch!”

The two figures started as if they’d been jabbed with needles.  They squinted in her direction.  She hurried to them.

The teen looked worried.  So did Mitch.  Sarah figured their worry stemmed from her appearance:  clothes ragged and muddy, covered in blood, her face streaked with dirt and sweat.

She said, “You’ve got to help me.”

The teen pulled on Mitch’s shirt sleeve.  Mitch waved the kid off.  He knew what needed to be done.

“You’re a mess,” he said, “Get in the truck.  I’ll take care of ya.”

The teen clapped his hands together and darted into the abandoned building.  Needing no other prompting Sarah jumped into the truck’s cab.  She locked her door.  Mitch hurried to the driver side.  A grim expression on his face he put the car in gear and drove.

Sarah closed her eyes, and let her head rest on the window.  

Safe at last she muttered, “Thank you, thank you.”

Mitch cleared his throat and spit the bad taste in his mouth out the driver side window, “Don’t thank me.”

Sara opened her eyes.  She saw trees on the side of the road.

She said, “You’re going the wrong way.”

“I hear ya, but they won’t be found.”

She jabbed striking Mitch in the jaw.  He lost control of the truck, and the pickup slammed into a tree.  Her body screaming in pain, Sarah reached over.  She opened Mitch’s door, and pushed him out.  Shifting over, ignoring the bone protruding through her arm, she put the truck in gear with one hand.  The engine groaned as if to say let me die, but she stomped the pedal to the floor.  The engine could die running.  She shot back to town like a comet.  

The lights in town seemed dimmer than usual, but they were still lights.  She laughed at the hollow comfort.  The reality lurking in the darkness could swallow them and her whole.  She didn’t know where to stop, so drove out of town until the pickup ran out of gas.  Then she passed out.

She woke up in a hospital.  Tubes feeding life back into her veins, neat rows of stitches holding her shoulder together, and a desperate hope she might still blame this all on nightmares.  A nurse entered the room.  

“You’re awake,” the cheery nurse declared.  He went on, “Don’t be afraid.  Highway patrol found you, and well, you were a bit of a mess, but we fixed you up.  You’re going to be okay.  Do you feel okay?”

“Never better,” she replied as hope died.  She took a deep breath, held it, and started to laugh while tears streamed.  People always wanted the nightmares to be real.  Well, they are. 

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Never Better part 4:  Doubt.  Belief.

10/24/2015

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... "Ha.  Ha.  Well done."  Gene held up his hands, "I didn't do anything.  That's real."

Sara frowned.  Gene pointed at the screen as if that made his argument solider.  Shaking her head Sara examined the image more closely.

"Okay," she said, "So some teenagers went out there to fuck with us, but they chickened out.  No big deal.  I'm going back to bed."


She started towards the door.  


Gene said, "Why are you so determined to make this nothing?"

Exasperated, "Because it is nothing.  Look they knew who we were at the diner without us saying anything, and I've been in this situation before.  For whatever reason some jackass is willing to do ridiculous shit to make the local legend seem real.  Now I'm back to bed."

She sighed, shuffled towards the door.  Gene opened his mouth to contradict her, but didn't know what to say.  The door closed cutting off any chance for further debate. 

Sara climbed into bed.  She closed her eyes, but sleep wouldn't come.  Her blood ran too hot.  This kind of thing happened too often.  For all three of her books she'd hired different photographers, and each time the shutterbugs kept finding photographic proof there'd actually been ghosts, or a demon, or fuck-all.  She resolved to learn how to handle a camera before her next project.  That would put an end to all this bullshit.  But that wasn't the only thing irritating her.

Her thoughts drifted back to her first book, an examination of the Hope family massacre.  Richard Hope killed his whole family, mother, father, and three siblings, one Autumn night in 1970.  Nobody knew exactly what day because Richard lived with the corpses for several weeks until a truant officer came looking for the youngest daughter.  The disappearance of the truant officer brought the police to the Hope mansion where they discovered the grim spectacle:  the Hope family hanging from the ceilings, strung up like macabre marionettes.  Folklore held that Richard was actually possessed by a demon of some sort, a belief Sara outright doubted, and her book reflected her opinion that Richard simply suffered from some kind of mental derangement.  As a child he routinely got caught torturing and killing small animals.  Sara even found people who stated Richard Hope tortured them as children, cutting them and breaking their fingers for no apparent reason.   

At a local bar Sara made the mistake of expressing her belief Richard was simply a serial killer, what he did to the bodies no less unusual than what killers like Ed Gein did to their victims.  That night several locals dressed in cheap Halloween costumes attacked her.  Claiming to be Satanists devoted to the demon controlling Richard, they beat Sara, smashed her laptop, and spray painted a pentagram on her stomach after tearing her shirt off.  She managed to get a hand free then started throat punching until she broke away and ran.  When she reported the incident to the police the cops rolled their eyes as if to say not this again, and immediately rounded up all five of her attackers.  Proud of what they'd done they confessed to everything, one going so far as to say, "Fuck that know-it-all bitch."

Sara turned on the lamp next to her bed.  She went to her suitcase.  She pulled out a Glock 9mm.  She loaded the pistol, put it in her backpack, and went back to bed where she soon fell asleep. 

# 

Gene yawned.  Sara grabbed a thermos full of coffee.  She poured him a cup. 

Taking the steaming cup, "Thanks.  I didn't get much sleep."

"I hope you didn't obsess over that picture too long."  Sara made a few notes on her phone, keeping track of the landscape.  The way the trees grew intrigued her.  Sometimes branches stretched out intertwining with one another creating veritable walkways for several feet.  

Gene glanced at the GPS, "Not really.  I thought about what you said, and you're probably right.  I mean, you are right, but I couldn't stop thinking about like, "Is somebody gonna fuck with us today?'  You know what I mean?"

Nodding, "All too well, but don't worry.  We asked around town about the cliffs, so people knew we were headed there.  Nobody knows where we're going today, and I haven't seen any other cars the whole drive."

 "Sounds good to me," Gene slowed down.  He steered off the highway onto a dirt road cutting into the Maigre Woods.  Branches scraped the sides of the rental car.  He drove until the road ended.  The two got out, checked their gear then headed off on foot.  

The hike to the Dobbs cabin took about a half hour.  Tall grass filled the clearing all around the cabin.  The roof appeared to have collapsed several decades back.  Yet, the place appeared to be untouched.  Sarah expected the cabin to be covered in graffiti, windows broken, and other signs that teenagers at least frequented the area.  However, it seemed no one visited the place.  In a few more years the forest would grow enough to begin devouring the cabin. 

Gene went to work right away.  He snapped photos of the exterior from every side before aiming through the window.  After that he hesitantly went inside, while Sarah took notes, jotting down her impression of the place:  "an inescapable eeriness surrounds the remains of the Dobbs cabin, yet beneath it is a sense of melancholy.  This might've been a picturesque spot, a place for happy memories, but the facts haunting it only offer nightmares."  Inside, Gene fired off a quick series of photos, professional but rushed.  He spent as little time as possible in the cabin.  The place made his skin crawl, and though not really superstitious he half expected to see ghosts in the flash from his camera.  

Hurrying back out he said, "I couldn't get upstairs.  The steps have rotted away."

"Too bad," Sarah remarked, "Oh well.  Make sure to get the shed then it's on to the next stop."

She consulted her map.  She wanted to see the spot where locals found Maggie Greer and her five children.  The Greers went missing in May 1960, and three years later were found frozen to death in the woods.  Of all the disappearances and bizarre deaths Sarah found this one the most interesting because so few details existed.  Even the report she managed to get her hands on contained little more than the location of the bodies alongside cause of death.  It almost felt like local police went out of their way to leave facts out.  

Trekking to the spot took twenty minutes.  Sarah started to wonder if perhaps Maggie Greer took her children to the Dobbs cabin.  Though if that were the case why no one found them for three years remained perplexing.  Still, there was nowhere else in the woods the family could've gone.  The only alternative would be that they lived in the woods like wild primitives.  

"This is it," Sarah announced.

"Are you sure?" Gene glanced around.  This part of the woods looked like every other.  

Sarah nodded, "I recognize it from photos."  

She reached into her backpack.  After rummaging for a second, she pulled out a print of the scene.  Holding it up she angled the black and white photo matching the landscape with the picture.  The crooked birch, the boulder, the only thing missing were five frozen corpses.  

While Gene went to work, Sarah walked around the area.  Near the birch where Maggie was found something caught her eye.  She squatted down, brushed a few leaves aside, and picked up an odd wooden doll.  The crude figure resembled a person, but there were no details other than the shape.  Curious, Sarah glanced around and found another then another.  She soon realized that strewn everywhere were dozens and dozens of these small effigies.  Some appeared to have been there for years, while some seemed to be quite new.  

"Look at this," she held one up for Gene.  He examined the figurine briefly.  

His face screwed up in confusion, "What's that?"

Sarah shrugged, "I don't know, but they're everywhere."

Looking at the ground, "No shit," Gene immediately started taking pictures of the forest floor, making sure to capture the wooden dolls.

Collecting several of the dolls Sarah put them in her backpack.  A branch snapping.  Gene jumped at the sound.

"What was that?"

Sarah said, "A branch.  Some animal probably..."

Another branch snapped, cutting her off.  She looked around.  Another branch snapped.  Gene started to sweat.  Another branch snapped.  Several feet away Sarah saw a figure step from behind a tree.  Another branch snapped.  The lean figure stood completely naked covered in some kind of white paint.  Gene took a photo, his uneasy mind focusing on instinct to keep calm.  Another branch snapped.  Another figure emerged from behind a tree.  Sarah reached into her backpack and pulled out her Glock.  Three more white skeletal people stepped into view.  Glancing around Sarah saw several more in all directions.  Branches continued snapping.

"We're surrounded," Sarah said.  Before Gene could say anything she added, "Don't worry.  We'll be okay."

He believed her, though he couldn't be sure if his faith was in her or the gun.  Slowly, Gene put the camera away.  When, not if, they needed to run he wanted to be unencumbered.  

Pointing the gun in the air Sarah fired.  The white figures charged forward.  Sarah took aim.  She didn't want to, but she still fired.  The bullet hit one in the chest knocking him down.  The others ran on as if nothing had happened.  

Grabbing her shoulder Gene shouted, "Run." 

They bolted towards the largest gap in the closing circle.  Sarah did her best to keep shooting as they ran.  They could hear their attackers chasing them, getting closer and closer, bone necklaces jangling.   

Gene tried to jump over a fall tree.  He didn't jump high enough.  His shin struck trunk, and he spilled over the side landing face flat.  Sarah clambered over.  She went to help him up.  As she reached for him a white shape flew over the tree tackling her to the ground. 


Stunned, Sarah looked up into a face covered in scars, the skin shredded leaving the faintest semblance of human.  The lanky frame on top of her pressed her down with one hand while it bellowed, a guttural roar of triumph entirely animal.  Its free hand smashed into the side of her head plunging her into darkness.  

COMING SOON!

PART 5:  BLOOD AND BONE



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Never Better part 3: The Photo

10/18/2015

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Mitch left the diner casually, waving goodbye.  There’s nothing suspicious about a man heading home early when he’s got work tomorrow.  Though that said, most folks, even those close to Mitch, would twist their face in confusion to see him aiming his pickup for the woods instead of straight home.  Even odder, he made one stop on his way out of town, a rundown apartment building that never seemed to decay enough to up and collapse.   Pulling up out front Mitch waited until a grimy teen in overalls crept out to the car.  

Without looking at the kid Mitch said, “Two.”

The boy slunk back into the building soon to return carrying a cage containing two chickens.  He deposited the cage in the back of the pickup, and Mitch sped off.  The boy lingered outside chewing his hand till it bled.  Sucking on the wound, he went back inside giggling and slurping.  

Mitch drove until he came to Hunter’s Pass, a dirt road that branched off from the highway stretching deep into the Maigre Woods.  About a mile in he stopped the truck.  He went around back to get the cage.  He set it on the ground several feet from the pickup then hurried back into the cab.  Then he turned off the headlights.

He kept an ear open.  The leaves rustled.  The chickens clucked, sometimes their wings flapped.  A half hour nearly passed.  The night became still.  Mitch felt a need to reach for the switch, turn on the headlights, but he held back.  They preferred the dark.  The chickens started making a racket.  He heard metal being hammered, the birds’ squawks cut off by a hideous gurgle, and he heard footsteps crunching through dried leaves.  

Mitch turned on the cab lights.  Although he expected the sight he still jumped at the appearance of a skeletal figure with bone white skin standing next to the truck staring at Mitch through the darkness.  Long strands of greasy hair dangled from its head like a frozen ink spill.  The face may have been human once, but any semblance that remained survived by accident.  Ritualistic scarification saw to the erasure of the thing’s humanity.  The faint clatter of its bone necklace caused Mitch to swallow hard; fingers and vertebra clicking against one another, held together by string made of hair.  Mitch knew his obligations, but that didn’t mean he ever got too comfortable handling them.  He kept his family safe, just like his daddy did before him.  The Shaman stepped closer to the pickup, his breath fogging the driver side window.  

Cracking the window an inch, Mitch said quick as he could, “There’s some people in town.  They ain’t looking for you, but they might be around where y’all usually at.  You do what you want though I think it’d be best if you just hid.”

The Shaman turned, and slipped back into the woods.  Mitch waited a minute before he felt safe breathing again.  He started the truck – thub-splop:  the sound of chicken intestines hitting the windshield.  Mitch hurried back to town.  The Bone People wanted blood.

#

Back in the hotel Sara retired to her room with a blunt goodnight.  Before Gene could return her goodnight the door connecting their rooms shut.  As many have done in previous situations throughout human history, Gene reminded himself he needed her money more than her friendship.

While Sara organized her maps and routes for the following the day, Gene uploaded all the pictures he’d already took onto his laptop.  Jobs like this rarely needed more than few dozen photos:  images which helped further the story by elaborating a scene’s context.  That said, doing a good job meant having several variations to choose from.  The right photo usually hid among 80 others all seemingly twins save for subtle shafts of light.  Finding it, well, that’s what really made the difference between being a photographer and just a guy with a camera – taking the time to sift for gold.

However, for now, Gene tried not to pay attention to his pics.  He focused on simply bundling them into folders.  He knew himself well enough to know if he started eying them now – like that one where the angle is perfect, but the light all wrong.  He fiddled with a few digital tools to see if he could salvage the photo.  Nope.  Too bad, maybe… six photos later Gene glanced at the clock next his bed.  He swore.  

An hour and a half tinkering with variations 99% of the world would never be able to tell the differences between, he should get to bed.  He told himself to go to bed.  The next series of photos didn’t even matter.  He snapped them while they drove to the cliffs where Alice Dobbs jumped.  Professional tourist photos nothing more except something caught his eye.

Gene opened the photo and zoomed in on the woods.  He enhanced the image a touch to be certain.  Sweat peppered his forehead.  Trick of the light, he told himself, the filters will get rid of it.  They didn’t.

The photo showed Sara getting stuff out of the trunk.  She did her best to look amused, while Gene snapped a picture.  He’d taken it so casually without intending – among the trees he saw two naked figures, their bodies covered in some kind of, it seemed like white paint, watching Sara and Gene.  

Knowing he’d taken several snapshots in a row Gene cycled through the photo stream, but found no more.  That one photo, a split second captured the Bone People in the forest.  Gene lunged at the connecting door.  He pounded until a bleary eyed Sara flung the door open.

“You’ve got to see this,” Gene said.  He grabbed her by the wrist.  Half awake, Sara found herself dragged in front of Gene’s laptop before she thought to resist.  Gene pointed at the screen, “Look at that.”

She did, and said…

COMING SOON!

DOUBT.  BELIEF.

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Never Better part 2:  Alice Dobbs

10/9/2015

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In 1918, fearing the flu pandemic, Earl Dobbs moved his family out of the sleepy town of Carsondale, Illinois.  The Dobbs, however, didn’t go far.  Earl simply moved into the surrounding Maigre woods.  In a remote part of the forest he and sons built a modest cabin where Earl took his wife and two other children, a daughter and infant, to wait out the plague.  Six months later, a group of concerned friends went to check on the Dobbs.  They found an empty cabin, the rooms inside covered in blood.  George Collins, the local preacher, found a shed in back of the cabin.  There he found Alice Dobbs, a padlock on the door trapping her inside.A journal kept by Melissa Dobbs detailed most of the family's time in the woods.  In it she relates concerns about her husband.  When he hears the slightest cough he holds his breath expecting at any moment the apocalyptic plague to billow forth, a toxic green cloud in the shape of a cackling skull.  He quarantines the children anytime his fears get the better of him, and Melissa confesses she’s too afraid to stop him.  He locks the children in a shed out back, eying them until he feels it’s safe to let them out.  Every day Earl reads from the Bible, preaching they are the new Eden; and though Melissa has her doubts she keeps them to herself, even begins wondering if Earl might be right.  

On occasion Melissa mentions finding footprints near the house as if someone with bare feet had been creeping around the cabin at night.  She mentions them to Earl who then beats the oldest son, while demanding an explanation for this prank.  Though the boy confesses to nothing, Earl still pulls out one of his son’s teeth as punishment.  

One night Alice Dobbs wakes the whole house with her screams.  Her parents run to her.  She claims to have seen an inhuman face peering in through the bedroom window.  Finding no sign of anything Earl dismisses the event as a nightmare.  Still, Alice insists she saw something.  He slaps her for back-talking, and orders no one to ever mention the incident again.  Melissa continues to keep her doubts to herself.  

Earl begins constructing coffins for the family.  He feels certain judgment day is at hand, and he wants to be prepared.  He cuts off his own finger to demonstrate to the family the impermanence of flesh.  In an attempt to drive home the point he grabs the youngest boy and attempts to slice off his finger as well.  Melissa tries to stop Earl.  He knocks her out, and when she wakes up hours later she finds her son passed out in bed, his hand missing.  She decides to flee that night, but something unforeseen occurs.

Alice has developed an actual fever, a fact Melissa tries to hide from Earl.  Despite her best efforts, Earl discovers the illness, and drags the sick child into the shed, padlocking her inside. He says a prayer for her, promising that god’s plague will only kill her if she deserves it.  So it was the search party found Alice in the shed, boiling hot with fever and half starved.  

She didn’t know how long she’d been there.  As for her family, well, the townsfolk dismissed her story as a fever dream.  It's easy to see why.  

She claimed to have seen several gangly, thin people creeping around the house late at night.  Alice only managed to catch glimpses peering through the food slot in the shed door.  The white people were naked, but some appeared to be wearing necklaces made of sticks and bone.  Just thinking of their faces almost makes her pass out.  These savage looking people slipped into the cabin, and not long after Alice heard cries of terror, agony, her infant brother wailing, then silence.  The white people dashed out of the house carrying, what she presumed to be, the corpses of her family on their shoulders.

Though no one really believes the story most people keep such thoughts to themselves.  Some men go out to search the woods, assuming they'll find a deranged Earl Dobbs out there somewhere, but the search proves fruitless.  The town then changes focus, deciding to make sure Alice is well taken care of.  

For the next several years Alice stays with the Larson family, who used to be close friends of the Dobbs.  She seems to be fine, though she has great difficulty sleeping.  Or perhaps it should be said she rarely chooses to sleep, preferring instead to keep an eye out her bedroom window for what she refers to as The Bone People.  Making matters worse, she claims to catch glimpses of them creeping through the town at night, moving in stealthy almost animalistic ways.  

The Larsons do their best to be accommodating without ever really supporting these beliefs.  Alice withdraws more and more until one night the whole Larson household is ripped awake by screams and the sound of glass shattering.  Mr. Larson runs to Alice’s room.  He finds broken glass strewn across the floor.  Alice’s bed is empty.

A search party sets out straight away.  Hunting the woods by lamplight, they find nothing until the following morning.  Around dawn a few searchers decide to follow an old game trail.  They discover fresh tracks.  Footprints lead them to a sandstone butte, about a half mile from the Dobbs’ cabin.  A single bloody print told the searchers to look over the cliff.  There they found fourteen year old Alice Dobbs, dead at the bottom of the butte.  

#

Despite the somewhat bland academic way Sara related the account, George found himself glancing around half expecting to catch sight of Alice’s Bone People.  Sara turned into the hotel parking lot.  

George asked, “So what’s your take on it?”

Sara shrugged, “What’s to take?  Earl Dobbs went insane, and killed his family.  Alice couldn’t deal with it so she made up something based on a nightmare she had earlier.”

George cocked an eyebrow, “End of story?”

“End of story,” Sara tossed a sidewise glance at him, “What else is there?”

“Why did she kill herself?”

“She was cracked in the head,” sensing a discomfort with her blunt appraisal Sara added, “She lived with an abusive lunatic.  It messed her up to the point she detached from reality.  People can hallucinate without drugs, I’ve seen it.  She got chased off that cliff by her own nightmares.  It’s sad, tragic, but it’s not supernatural.”

Climbing out of the car George asked, “So why didn’t Earl kill Alice?”

“He left her to die in that shed,” Sara answered without looking at him.  She slung her backpack on.  She wanted to go organize her maps for tomorrow then get to bed.  Tomorrow would be a long day.

Catching up to her – she always moved faster than he expected – George said, “Did you ever consider maybe her father came back for her?  That’s who she was running from?”

“Yeah, but that doesn’t really change much.”  Stopping at the front entrance Sara said, “We’ll never really know, and things remain anything but supernatural."  

George glanced back at the dark parking lot wondering why he wanted it to be otherwise; why it seemed preferable a tribe of nightmares roamed the Maigre woods.  Because, he thought, then something not human committed the atrocity.  The world somehow seemed less frightening if monsters existed committing the most horrific acts, as if true evil couldn’t be human.


COMING SOON!

THE PHOTO


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Alice Dobbs Overture

10/8/2015

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Part 2 of Never Better is coming together nicely, but won't be fully ready until tomorrow.  However, that doesn't mean the creepy shouldn't flow.  This piece of atmospheric music is meant to keep the spooky simmering, and like any good overture it provides a sample sense of what's to come:  a grim slog into a terrifying world where death seems the only escape; at least preferable to the nightmare that will drag you screaming into suffering.  
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Never Better:  Part 1:  Don't Stop

10/2/2015

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Don’t stop.  Sticks jam into bare feet, sure enough splitting the soles, feels like nails stabbing up with every step – don’t stop.  Running through the woods can’t see more than a few feet ahead collide at top speed careening off a tree trunk; fall down hard, but jump back up – don’t stop.  Each heart beat more painful than the last like the muscle is tearing itself apart -- don’t stop.  Lungs burning, muscles pumping acid, the cliff fast approaching, and jump… when the ground hits, it’s okay to stop.

#

Gene focused the camera.  He took a few test shots.  Checking them on the digital viewer he frowned.  Readjusting the focus he glanced at the sun.  Only a few minutes with the right light remaining, he tried to hurry.  

Sara came out of the brush fastening her pants, “People do this for fun?”

“All the time,” Gene replied while snapping a few.  Finally something that looked right, he started photographing the whole area.  Sara collected her backpack.  She found it hard to shake the idea some bug, attracted to her piss, flew up her crotch.  The sense of something crawling kept itching inside her thoughts.  

She said, “You know, we evolved as a species to get away from the wilderness.”

“You don’t say.”  Gene fired off several photos, hoping to catch the shadows at various lengths.  Satisfied he had enough of the plateau Gene went to the edge of the cliff.  He peered over, the drop plunging hundreds of feet.  His stomach fell into his shoes.  Swallowing hard, he proceeded to take pictures.

“Be careful,” Sara said.

“Sorry, I plan on falling,” Gene said.

“Hope you enjoy it.  Four hundred feet down.  Solid rock at the bottom.”  Sara pulled out her notes.  Gene said something she didn’t catch, “What?”

Gene repeated, “I said, ‘I wonder if it feels nice.’  Like, you know, for a minute.”

“What like flying?”  Sara found the newspaper clippings she wanted.  

“I dunno.  Maybe.”

Sara sighed, “I don’t know, and I don’t want to find out.  Here.”  She handed Gene the clippings, specifically the one with a photo of the crime scene, “Try to get a shot like that.”

Examining the black and white photo, almost a century old but still to be admired, Gene headed back to the tree line.  Holding up the picture he scanned the area until he felt certain of a match.  Although he hated to copy someone else’s work, he took several matching pictures.  At the end of the day, bank account bleeding out, the need for cash superseded his artistic integrity.  His dad would know the line:  “I pay thy poverty, not thy virtue.”  Or something like that.  

Sara shivered.  Cold crept in fast up here.  She tried not to think about it, what that meant for Alice Dobbs.  Sweat freezing as she ran through the dark, charging for the edge of the cliff.  

Gene said, “Get in the shot.”

“What?”

Gene motioned, “Get in the shot.  It’ll set the two apart.”

Sara headed over.  She stood facing him, wondering if she stood right where Alice Dobbs ran.  She could almost imagine the young woman running through here to the point she saw a figure creeping through the woods.

She called out, “Hello?”

Pausing, Gene followed her eyes.  Turning around he peered into the woods, “What’dja see?”

Sara narrowed her eyes, and saw the creeping shape dissolve.  Shadows drifting in the sunset, she figured.  Nothing else made sense.  

Shaking off the moment she said, “Nothing.  Let’s just do this, and head out.”

#

Seated in a booth at the Blue Angel diner, Sara went over her plan for the next few days.  She wanted to get an early start tomorrow morning, so they could retrace Alice Dobbs flight through the forest.  She spread out a small map with a red line marking a course.  Gene half listened as he uploaded the photos from his digital camera to his laptop.  He didn’t know Sara Branch very well, but he suspected that if he killed himself tonight, she would still, somehow, make him march through the woods getting the pictures she wanted.  Besides the fact her check cleared, he respected that about her.

A waitress came by to refresh their coffee.  Sarah folded the map shut.  The waitress smiled.

Waving the sight off, “You don’t have to hide that honey.  You’re the college kids come up for the spooks.”

“We’re not in college,” Sara corrected.  

The smiling waitress stared down, her eyes so wide she didn’t seem to have lids.  Chewing a stick of gum like a cow she said, “Well, I heard y’all in college.”

“No ma’am,” Gene said, “Just professionals on the job.”

Slow blink, “Really?”

Sara stuffed the map into her backpack, “I write books about local folklore.  He’s a photographer…”

“Talented photographer,” Gene interjected.

“I’ll bet you are.”  The waitress touched his shoulder with her fingertips.

Sara rolled her eyes, “Anyway, creepy history sells, so here I am.”

“Here we are,” Gene said.

Snapping her gum the waitress said, “Well, best of luck to you.  Here’s hoping you don’t end up like Bill Hadyn.”  She started walking away.

Sara called after her, “The Bill Hadyn who supposedly killed himself?”

The waitress paused.  She turned.  Hand on her hip as she shook her head, “Doesn’t that beat all.”  Without turning she spoke to the late night regulars at the diner counter, “Hey Mitch.”

Mitch, a scarecrow come to life in flannel and jeans, glanced over, “Whatcha need Cassie?”

“These are those two college kids, well they ain’t college kids, but these are the two.  They heard of Bill Hadyn.”

Sauntering over, Mitch spun a chair about face.  Taking a seat opposite the booth he said, “Then you must know about Raymond Carlyle.”

Sara pulled a stack of papers out of her backpack, “Died December 5th, 1792.  Causes unknown, although the hole in his chest where his heart should’ve been seems a solid indication.”

Mitch cocked an eyebrow, “Maggie Greer?”

“Maggie and her five children disappeared in May 1960, and were found frozen to death in the woods three years later.”

Leaning back Mitch whistled, “So far so good.  Neil…”

Sara cut in, “Neil Bremen.  Went to bed with his wife, August 8th, 1921.  When she woke up the next morning all she found was his hand.”  Mitch opened his mouth, but Sara, pushing the papers toward him, went on, “The Folsom twins, Lily and Lisa, found hanging in the town square, 1980.  Some reports even claiming there was no rope involved.  Mortimer Thompson, Lynn Davis, Mary-Ann Woolcot; the Missing Motorist, whose car was found covered in blood.  Should I go on?”

“You can go on?” Gene said.

Mitch whistled, “My oh my, you know your stuff.  Thought I was gonna have some fun here.”

“Sorry to spoil things,” Sara said, though her tone sounded anything but apologetic.  The cliché exists for a reason.  In every town there is that one master of the macabre, the owner of every dark tale, who, for whatever reason, can’t resist spreading the twisted stories.  They almost revel in reliving a town’s hideous past:  what makes it unique and ashamed.

Leafing through Sara’s stack Gene asked, “How many people have died in this town?”

Mitch promptly declared, “33, at least, that many are connected, some way or another, to what got Alice Dobbs.”

Sara said, “I’m sorry.  Nothing got Alice Dobbs.  She jumped off a cliff.”

Standing up Mitch shrugged, “Something sure did chase her off, alls I’m sayin’.”  He stepped away, hands in the air.  On his way back to the counter, he hooked an arm around Cassie the waitress.  He whispered in her ear.  She laughed, and Sara wondered what Mitch said.

Gene said, “I was under the impression we’re here to investigate one death.”

Picking at her club sandwich Sara said, “Look, I didn’t think it mattered.  I didn’t see how you needed all the details in order to do your end of the job.”

“Okay, I can see that, but I would like to’ve known.  That Alice story is freaky enough – 33 people?”

Sara said, “Alice was a troubled young woman who jumped off a cliff.  People in town didn’t want to accept that, so a story developed about a murderous ghost in the woods; a specter who became the scapegoat for every tragedy no one wanted to accept.  The Folsom twins were fourteen when they hung themselves.”

Stirring cream into his coffee, “That’s really young.”

“But not unheard of.”

Something in Sara’s tone inspired Gene to change the subject, “So what really happened to Alice Dobbs?”

COMING SOON!

PART 2:  ALICE DOBBS



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    Author

    J. Rohr enjoys making orphans feel at home in ovens and fashioning historical re-enactments out of dead pets collected from neighbors’ backyards.

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